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Dunsin Oyekan’s Revelation Sparks Controversy: ‘I Don’t Charge’ for Ministration”

Gospel sensation Dunsin Oyekan has ignited a fervent debate with his recent revelation that he ministers at churches and Christian events without charging a fee, contrasting sharply with the practices of some of his peers in the industry.

Speaking in a candid conversation with content creator Timi Agbaje, Dunsin Oyekan shed light on his stance regarding remuneration for his ministrations, emphasizing that his consecration dictates his decision not to charge for his services. Despite the prevailing trend among some gospel ministers to demand hefty fees for their appearances, Dunsin remains steadfast in his conviction to offer his ministry free of charge.

“It is a dicey question, it depends on what the Lord has told you, I called it your consecration, my consecration demands that I don’t charge, but God blesses me,” remarked Dunsin Oyekan.

In addition to his principled stance on financial compensation, Dunsin revealed his unique approach to preparing for his performances. Rather than relying on worldly substances like alcohol, the spirit-filled singer shared that he “gets high” before ministering through fervent prayer in the spirit, ascending to a realm of spiritual connection and empowerment.

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The revelation from Dunsin Oyekan has sparked a flurry of reactions among netizens, with many expressing admiration for his commitment to his calling and his reliance on divine guidance. Comments flooded social media platforms, with users praising Dunsin’s anointing and describing him as a blessing to the Christian community.

Meanwhile, Dunsin’s revelation has drawn attention to broader discussions within the gospel music industry, particularly regarding the commercialization of ministry. Recent reports have highlighted controversies surrounding exorbitant fees charged by some gospel artists for their performances, prompting reflection on the true essence and purpose of worship.

In a related development, Rev. Fr. Chinenye Oluoma raised concerns about the escalating costs associated with bringing gospel artists to churches, citing examples such as Mercy Chinwo, who purportedly demands fees as high as N10 million for her appearances.

As the discourse surrounding the financial aspects of gospel ministry continues to unfold, Dunsin Oyekan’s unwavering dedication to his calling serves as a poignant reminder of the values ​​of humility, sincerity, and spiritual devotion.

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