The Wiz” Revival Prioritizes Fun Over Narrative Cohesion, Critics Note
The latest revival of “The Wiz” on Broadway aims to deliver a fun-filled experience, but critics point out its struggles to maintain a cohesive narrative amidst the entertainment.
Originally debuting in 1975 with its groundbreaking all-Black ensemble, “The Wiz” earned critical acclaim and Tony Awards, cementing its status as a vibrant and soulful musical. Songs like “Home” and “Ease on Down the Road” became iconic staples in American musical theater.
The current revival, promoted as embracing its Black heritage through the “Blackest of Black Lenses,” attempts to capture the essence of the original while offering a pleasurable viewing experience. However, some critics argue that the production falls short in achieving a balanced artistic vision.
Led by a talented ensemble, including Nichelle Lewis as Dorothy and Wayne Brady as the Wiz, the performances are applauded for their energy and skill. Lewis delivers a touching rendition of “Home,” while Melody A. Betts shines in dual roles as Aunt Em and the wicked witch Evillene.
Yet, technical issues, such as overwhelming sound levels and disjointed visuals, detract from the overall experience. Vocal performances are frequently drowned out by overpowering orchestrations, and scenic designs lack a cohesive synergy, appearing generic and underdeveloped.
Director Schele Williams’s choices, including the absence of iconic imagery like the yellow brick road, and the incomplete portrayal of significant moments, leave narrative gaps and diminish the impact of key scenes.
Despite the crowd-pleasing choreography by JaQuel Knight, which incorporates elements of twirls and lifts, the connection to the storyline remains tenuous, with the protagonists often sidelined or overshadowed by ensemble members.
While updated by comedian Amber Ruffin with humor that lands well at times, the revised book neglects essential character development, leaving unanswered questions about Dorothy’s journey and emotional arc.
In summary, while “The Wiz” revival offers moments of charm and enjoyment, its emphasis on entertainment over narrative cohesion ultimately undermines its potential for a more profound theatrical experience.
“The Wiz” continues its run at the Marquis Theatre in New York, with a runtime of 2 hours and 30 minutes, including an intermission.
